291 Grand St.
New York, 10002

76 Avenue B
New York, 10009

11-6pm Tuesday to Saturday
info@gratin.com

Gratin

291 Grand St.
New york, 10002

11-6pm Tuesday to Saturday
info@gratin.com

ELISE NGUYEN QUOC


Elise Nguyen Quoc (b. Trappes, France) lives and works in Paris. In 2023, Nguyen Quoc received her MFA with honors from Beaux-Arts de Paris. Prior to that, she graduated with honors from Villa Arson and completed an exchange program at Kyoto City University of Arts in 2022.

Nguyen Quoc's works defy categorization as mere paintings or drawings. They are primarily made from her photographs, which capture elusive remnants-unnamable, bodiless, objectless, and devoid of any recognizable iconographic language. Her works are records of activities ranging from empty ballpoint pens to the bottom of a paint tray. She draws inspiration for her work from everyday habits. She works with daily gestures, precise schedules, and traces left behind, whether generated by someone else, by accident, or by her own practice. She tracks things, catches their scent, and responds when something calls to her. If an object seems to have the potential for inscription, to become a signal, she works on it. "The less comprehensible the subject, the more attention is drawn to its technical production," she remarks. The advantage of not understanding the what is that you explore the how. The significance of her images lies not only in the image represented but also in the process of their creation, which is an integral part of Nguyen Quoc's practice and how it is perceived.

Nguyen Quoc's work has been shown in solo and group exhibitions internationally: Micheline Szwajcer, Antwerp (2025), Nino Mier, New York (2025), Gratin, New York (2024), among others.



Gallery Exhibitions

[1] MECHANICAL WHISPER, Group Exhibition, 30 January - 2 March 2025


[2] OFFERING BODY AND SOUL TO A RADICAL ALTERITY, Elise Nguyen Quoc, 3 May - 7 june 2024


1 / 9
<i>A Dynamic View of Sex Chromosome Evolution</i>, 2024. Pigment, charcoal on paper laminated on wood panel, 30 1/4 x 59 x 2 in (77 x 150 x 5 cm)
2 / 9
<i>Amour Isodynamique, 2024. pigment</i>, 2024. Charcoal on paper laminated on wood panel, 34 5/8 x 74 3/4 x 2 in (88 x 190 x 5 cm)
3 / 9
<i>Drawing to Gathering Stars</i>, 2024. Pigment on paper laminated on wood panel, 47 5/8 x 64 1/8 x 2 3/8 in (121 x 163 x 6 cm)
4 / 9
<i>Memory Traces_Markers to Follow</i>, 2024. Acrylic, ballpen on wood panel, 66 1/2 x 45 5/8 x 2 in (169 x 116 x 5 cm)
5 / 9
<i>Offering Body and Soul to A Radical Alterity</i>, 2023. Ballpen on wood panel, triptych, 98 3/8 x 143 1/4 x 2 in (250 x 364 x 5 cm)
6 / 9
<i>Outline of A Bedside Table</i>, 2023. graphite on paper laminated on wood panel, 48 x 98 3/8 x 2 3/8 in (122 x 250 x 6 cm)
7 / 9
<i>Plastic Skeleton & Inside Rearranged Region</i>, 2024. graphite on paper & pigment, graphite, charcoal on paper laminated on wood panel, 78 3/4 x 27 1/2 x 2 in (200 x 70 x 5 cm)
8 / 9
<i>Re-trace</i>, 2024. Acrylic, ballpen on wood panel, 12 5/8 x 15 3/4 x 2 in. (32 x 40 x 5 cm)
9 / 9
<i>Split heart split</i>, 2024. Ballpen on wood panel, 69 1/4 x 86 5/8 x 2 in (176 x 220 x 5 cm)


Press

[1] Office Magazine